Period of Chinese of the Qin Dynasty, be China's unitary multiracial feudal state build with consolidate period, the very important period that also is establish of style of Chinese folk art and development. BC 221 years, a series of in domain of politics, culture, economy reform after Qin Shi emperor unites China make the society produced tremendous change. For advocate achievement, indication crown and the artistic activity that have, promoting painterly development in fact. It is OK that ruler of the Western Han Dynasty takes seriously as much for its political conduct propaganda and morality preach the brushwork of the service, in period of emperor of the Wu Di of the Western Han Dynasty, clear, announce emperor, brushwork turned praise and honor into efficient way of the hero, palace mural makes a contribution extraordinary. The emperors of the Eastern Han Dynasty are same to consolidate the world, control popular feeling, advertise " day person induction " treat of " Fu Rui " say, auspicious sign image and flaunt faithful, filial piety, section, justice the subject matter of general creative work that historical story becomes an artist. Han Daihou bury is consuetudinary, make us OK today reach picture brick from stone of the mural grave that discovers in succession, picture see what draw at that time is vestigial in the grave. Times of Chinese of the Qin Dynasty is artistic with its the boldness of vision with dark old hero, be in China the radiative dazzing glorious on art history. The brushwork of times of Qin Han of 　 of 〗 of 〖 painterly art is artistic, include palace temple to watch the kind such as picture of mural, coffin chamber mural, silk roughly. Palace temple watchs the palace Ya sign of times of mural Qin Han, general scale has mural, but as the building in succession die out loses almost to use up almost. Yang Gongbi draws the Qin Douxian that 70 time discover this century what vestigial first time makes we appreciated Qin Daigong the court of a feudal ruler to draw is brilliant. In relics of palace of the Qin Dynasty on the part of remaining of a covered corridor or walk of 3 halls, discovered an advancing alignment that has 7 carriage composition, every car goes straight towards equestrian drawing by 4; What the mural of another place remaining behaves is a lady-in-waiting. These figure are direct coloured drawing or pattern on the wall, did not tick off adumbrate beforehand, in can be being considered as Chinese tradition to draw " do not have bone " the earliest model of the law. The mural of the Western Han Dynasty basically is to flaunt what official treats " Pure Brightness " and of creation. Of Wang Yanshou " the hall endows with Lulingguang " in account the grand occasion that a vassal Wangsuo builds the mural in palace at that time. It is more when announce emperor in kylin cabinet scale the effigies mural of 11 heroes, opened the beginning that hero of later ages scale pursues. The Eastern Han Dynasty when bright emperor, the hobby as a result of bright him emperor, the wind that mural creates more fill. The clique makes go to the Western Regions to beg come after power of Buddha, in scale of newly-built white horse temple " 1000 by 10 thousand ride group of elephants to circle a tower to pursue " , this is the inchoation of mural of Chinese Buddhist temple. The coffin chamber mural with acting the Qin Dynasty of coffin chamber mural is vestigial, heretofore has not discover. But the discovery of Chinese grave mural, be in early this century began at the beginning of 20 time. Come out Luoyang the mural of that group of air brick of 8 lis of stages, be mural of coffin chamber of concerned the Western Han Dynasty first important discovery. 1931, city of battalion of Liaoning gold county child of mural grave clear, opened the veil of mural of coffin chamber of the Eastern Han Dynasty. Be in subsequently tens of year, discovered grave of more than 40 mural again in countrywide each district, to discuss the development situation with Chinese painterly and artistic generation, provided most important objective data. This one period, the most important mural grave that already discovered and coffin chamber mural have: The mural of Bo Qianqiu grave of the Henan Luoyang that belongs to period of the Western Han Dynasty, Luoyang burns channel the coffin chamber mural of Xi'an of 61 graves, Shaanxi " astronomical phenomena pursues " ; The mural of grave of new rank grass of garden of Luoyang gold cereal that belongs to period of new rank grass; The Shanxi that belongs to period of the Eastern Han Dynasty makes the same score Liu Zaoyuan Chinese grave mural " landscape pursues " , mural of Heibei An Pinghan grave, Heibei looks mural of a grave and the mural grave that discover in Inner Mongolia and Lingeer. The effigies of flags of horse of birds and beasts of the astronomical phenomena that they depicted concerned day, ground, shade, this world respectively, the five elements, immortal, a few well-known history stories, car, building and grave host, implication is complex, but it is to behave grave host to give birth to the life before and picnicky to the be raised to the skies after its are dead happiness to wish mostly, hope dead is in art rich life is enjoyed in the subterranean world that people builds. Chinese generation silkses picture Chinese acting picture is in fine silk the work on silk is very much, but after chiliad of all previous classics, involuntary discharge of urine is put few. At present the most important hair has this century 70 time come up out of land respectively at Hunan Changsha horse the Western Han Dynasty in the Chinese grave of hill of siskin of Linyi of king caboodle, Shandong silkses picture. The implication that the silk that equestrian king caboodle comes up out of land in a grave draws is most obscure, the explanation of scholars is very diversiform, but what think to silks the upside of the picture and bottom are depicted respectively commonly is a day bound and Acheron, what intermediate two parts behave is the life setting of the dead's 軑 Mrs. Hou. Grave advocate the depict that reachs animal of all sorts of divine birds different is very vivid, draw a line fluent and forceful, fill in colors on a sketch is grave and elegant, showed the remarkable level with painterly the Western Han Dynasty. In addition, ma Wang piles the significance that 3 silk in 3 graves draw to also not allow to ignore, outside the host that divide a grave, still depict have " guide bring " , the content such as flags, elegant and special. The silk picture content of siskin hill and equestrian king pile Chinese grave silk to draw close, there are phantoms of next hill of life celestial being, tiger having dragon on, what depict partly among is the terrestrial life scene of grave host, this picture " do not have bone " with outline photograph tie, reflected the diversity of law of Chinese picture ability.

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