Shallow talk about ancient porcelain brushwork to decorate art from yuan era begins, faddish blue and white porcelain, the pen that has Chinese traditional Chinese painting sends lasting appeal. Because it is to use brush image direct express picture is on china, firing hind, on the encaustic of white smooth, give the artistic figure like cyan traditional Chinese painting fully and pale set each other off, deep and remote beautiful verdant, very rich and artistic glamour. The calligraphy or drawing such as line of the quality of work that green beautiful adornment basically passes line, density, dot will behave all sorts of artistic image. Under brushstroke, have firm the change of soft, false or true, shade, weight, the law of carry pen has center and suitable, go against, procrastinate etc. Composition of a picture of green beautiful painterly illuminative notices canalage changes, master the black and white space that appearance of face of black and white effect, size piece, grain combines whole namely. Density size of the space, the density size place that acts the role of relatively by grain namely is caused. the white ground that is not grain to act the role of a part, regard likewise as main as part of grain act the role ofing factor to try to treat. What Yuan Daiqing spends is painterly, acceded the realistic good convention since Han Tang, more incisive on the scene that behaves external object. The peony grain before the Song Dynasty is acted the role of, be faced up to only mostly and side-glance two kinds of configuration, yuan of peony on Dai Qinghua is much appearance much condition. The black that Shanghai museum collects spends bottle of grain of peony pestering a branch, place draw peony, look down at, support or oppose, get together medicinal powder, elegant, each use up be caused by, or greenery has bunch; Or flower thinning is put alone; Or hang at branch, low head not language; Or burgeon is held in the palm protect, upright and unafraid go up continuously; Or side turns return consider, charming form is very; Or enchanting is dignified, natural and graceful. Yuan the brushwork on acting china is artistic, both neither is planted with Yutangdaina riches and honour of natural and graceful, what do not take the place of at the Song Dynasty again is delicate and beautiful, and appear give a kind simple and honest and the verve with refined enchanting. Yuan Daiqing spends an of great momentum, pen situation flies move, big effect of be particular about, not arrest at minor details. Even if 2 Yun Wen, seawater, all directions, design grain kind that need rule in that way continuously, also be general and neat only just, and the practised that uses a pen by right of its, hang ancon carry wrist and write, the turn has send, extremely rich move feeling. Yuan the terminal blueness in era spends full fact of painterly composition of a picture, but do not absolutely refuse to deadlocked. Jiangxi installs yuan of acting kiln Tibet high to come up out of land ear of animal of grain of dragon of black beautiful cloud builds coal tub, complete implement grain act the role ofing has 12, but the feeling that does not have congest accordingly, instead has charm of Zhuang Meizhi affection, acclaim as the peak of perfection making a person. Although was used,go up in the humeral ministry of implements, bottom and lid side be out of shape lotus valve grain, but, add grain acts the role of the place inside lotus valve grain not duplicate however, flowers, eight treasures, blaze waits, show a change in repeat consequently, impose its particular carry pen kind, make stay extremely easily originally board expression of appearance of design type grain dispatchs feeling. The painterly style of bright generation china can be divided for early, medium, evening 3 period, always De Chaowei of happy, announce is terminal; Into change face to be metaphase; Face of Jia Jing, 10 thousand all previous is terminal. Always period of heart of happy, announce, blue material fluidity is greater, send lubricious deep La Cangcui, ming Yan is deep, layer of glair of makings lubricious permeate, line often has dizzy medicinal powder phenomenon, very go up in rice paper like Chinese picture the Chinese ink of a figure is dizzy, add strewn at random have the dizzy place that send, make the picture appears even more muddy be in harmony is ad cool-headed and China grow, the lasting appeal of water Chinese ink that the potter of Jingdezhen draws to go after China, more conscious have the aid of and the natural property that produce this kind of blue material, formed a kind to wrap around the artistic style with vivid charm of cheesy from strewn at random, bold and unconstrained, gas. Right now brushwork behaves subject matter, be the same as yuan of acting appearance to compare, change is big also. Plant grain appearance and animal picture increase sharply. There is camellia of peony, lotus, rose, Bao Xianghua, hill, chrysanthemum to wait in creeping weed grain, spend collective expression with the four seasons. Flower and leaf compare yuan of generation to want small, abound sketchy gout, formal nature, creeping weed meandering is lightsome, together with white ground and moderate of scale of cyan grain appearance, foil each other, more beautiful and moving. Always the encaustic style of happy, Xuan Deshi changed Yuan Daiqiu's strong, forceful style, and the elegant demeanour that presents elegance of a dignified of a kind of rich and gaudy, of primitive simplicity. The Xuan Deqing that museum of Beijing the Imperial Palace collects spends out-of-round of briny dragon grain, body turns over emerging seawater to make background with reaching the sky, angry Long Heng goes between a situation full of danger. Gao Min choosing is grown

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